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Classical Art Index By Artist |
Media Decor offers The Old Masters Collections. They are catalogued by
Artist and by Genre or Category
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Aivazovsky |
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The artist's greatest
achievements are pictures showing the nature of the sea, eternally
alive, always in motion |
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botticelli |
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"Il Botticello" (little barrel,
so named by his brother) was born in Florence around 1444. He went on to
paint, amongst others, the fresco that adorns the Sistine Chapel and
“The Temptation of Christ” |
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boudin |
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Boudin is mostly known for his
paintings of sea and sky. Although often described as 'the painter of
beaches' |
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bouguereau |
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An admirer of traditional art,
he had no time for anything resembling innovation or the avant-garde.
His sense of idealism was his guiding principle, regarding the ugly as
worthless for representation. His views angered many. |
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canaletto |
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Many of his works were bought by
private patrons, particularly the English, who regarded visiting the
famous sites of Italy an important part of every well-bred young man’s
education |
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cassatt |
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At the age of 32, Cassatt met
Edgar Degas who was evidently taken with her and her work. He was so
impressed, that he invited the artist to exhibit with the
Impressionists. |
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Cezanne |
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Color, construction and
integration are the three words that best sum up a Cézanne painting |
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constable |
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To a greater degree than any
other artist before him, Constable based his paintings on precisely
drawn sketches made directly from nature. |
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degas |
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Son of an aristocratic banking
family, Degas quit his law studies to pursue art in 1853. He would later
distance himself from the movement as he wished to experiment in a wider
variety of styles. |
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Fragonard |
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A French painter whose scenes of
frivolity and gallantry are the embodiment of the Rococo spirit. |
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Gauguin |
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He quit his job in 1883, and
went on to spend time with Van Gogh (whose work he disliked) before
going to Tahiti in 1891, where many of his most famous works were
created.
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Grimshaw |
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John Atkinson Grimshaw was a
Leeds painter of landscapes, town views and dockyards, especially at
sunset or by moonlight. |
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Klimt |
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Klimt's style drew upon an
enormous range of sources: classical Greek, Byzantine, Egyptian, and
Minoan art; late-medieval painting and the woodcuts of Albrecht Dürer
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Macke |
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His early Impressionist style
developed into a use of strong, sunlit color applied in painterly facets
of light. His preferred subject matter remained urban scenes of shopping
and leisure. |
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manet |
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Edouard Manet was a French
Impressionist painter who had a great deal to do with "Art for Art's
Sake". He studied art at Ecole des Beaux-Arts and later reacted strongly
against the academic history painting he was learning. |
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Pissarro |
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Pissarro, the Impressionist
painter who endured prolonged financial hardship in keeping faith with
the aims of Impressionism. |
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Redon |
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French painter and graphic
artist, one of the outstanding figures of Symbolism. |
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Renoir |
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Renoir was a painter who created
fantastic images that were beautiful, warm and inviting. |
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Rousseau |
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It was the innocence and charm
of his work that won him the admiration of the avant-garde: in 1908
Picasso gave a banquet, half serious half burlesque, in his honor. |
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Seurat |
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Seurat was a painter who was
interested in shape and pattern, but he approached these things in a
very unusual way. He was the developer of a very scientific way of
painting known as pointillism. |
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Schiele |
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Austrian expressionist artist
Egon Leo Adolf Schiele, was at odds with art critics and society for
most of his brief life...
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tissot |
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Early in his career he painted
historical costume pieces, but in about 1864 he turned with great
success to scenes of contemporary life, usually involving fashionable
women. |
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turner |
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Joseph Turner studied the
science of light and color, the theory in particular that yellow was
closest color to the production of white light in painting. Amongst his
contemporaries he was a unique artist. |
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vangogh |
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It was during the months
approaching his death that Van Gogh created some of the most vibrant,
expressive paintings known to man. In all, he produced an enormous
volume of work. |